Dave Ball, a key member of the pioneering 1980s electronic music band Soft Cell, has died at the age of 66.
Alongside vocalist Marc Almond, the pair achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is considered a seminal work of electronic music.
He later founded the pioneering electronic act The Grid, who secured popular acclaim with 1994's Swamp Thing.
Ball passed away peacefully in his rest at his home in London on October 22, only a short time after playing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.
At that show, Ball performed in a mobility chair, as he had for the previous couple of years, after a period of ill-health.
"I ended up damage myself quite a bit," he stated in 2023. "I fractured spinal bones in my back and cracked about multiple ribs and fractured my wrist."
After catching pneumonia and developing blood poisoning, he was put in an medically-induced sleep and stayed in the hospital for seven months.
However, he had been in "high spirits emotionally" during the warmer months, as he was developing a fresh record with Almond, titled Danceteria, which is scheduled for publication next year.
"He was focused and very pleased with the latest project that we literally finished only a short time ago," said the singer in a heartfelt message.
"It's so sad as next year was all set to be such an uplifting year for him, and I find comfort from the knowledge that he listened to the completed album and felt that it was a great piece of work."
Almond described his bandmate as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work.
"Thank you Dave for being an immense aspect of my life and for the music you gave me. I wouldn't be where I am without you."
Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".
"Forming a duo with someone is different from being in a group, the connection is very tight," he added.
"That was the case with us. We went through so many extraordinary, extraordinary, memorable experiences as a team. Thank you, Dave."
Born into a single-parent household in Chester in 1959, Ball was put up for adoption when he was a year and a half of age.
He was raised in Blackpool with adoptive parents Donald and Brenda Ball, who altered his first name from his birth name to his adopted name, alongside his sibling his sister, who was also adopted.
He met Almond at an art college in 1977, where they were both studying fine arts. Inspired by a shared love of Northern Soul, they established Soft Cell the very year, and quickly recorded an extended play.
The pair were an unusual pairing: Ball was the quiet musician, hunched over his synthesizer, while Almond was a flamboyant performer, all glitter and makeup; but they achieved a rare creative synergy.
Ball had developed a fascination with synthesizers after viewing the band Kraftwerk perform on a television science show Tomorrow's World, and began to marry dark electronica to the catchy tunes Almond was writing.
Their signature song became the UK's second biggest-selling single of the early 80s, shifting 21 million copies globally. Together with hits by other artists, Human League and electronic acts, it helped paved the path for the synth-pop sound of the 1980s.
The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.
They followed the record up with the stand-alone single, Torch, which reached at the second position in 1982.
Fame had its upsides. "I loved being able to afford my initial property, having money and exploring, which makes me sound like a beauty queen," Ball not long ago told with a music magazine.
But it also caused challenges. "Newfound wealth meant we could purchase newfound drugs to relieve the boredom" of press appearances and TV performances, Ball said.
"I realize that's a common saying, but it's a cliché for a good reason, because it applies for so many musicians."
During the hedonistic lifestyle, the pair were also growing distant, but they managed to produce a second classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.
They put out one more LP, their 1984 release This Last Night In Sodom, before dissolving the band to concentrate on other projects.
Almond proceeded to have a successful individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a enduring collaboration.
Soft Cell came back together in the early 2000s, releasing the Top 40 record Cruelty Without Beauty.
Following another break, they reappeared in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the O2 Arena on 30 September, 2018.
However, they remained active, recording their latest project, Happiness Not Included, during the 2020 restrictions.
Ball lately characterized the duo's new album as a tribute to the New York club scene they visited while making their initial records.
He added that his time in hospital had shaped the band's sound.
"I experienced unusual memories when I was coming and going of the hospital because I was on pain medication," he told a music magazine.
"The new songs are a digital reflection of the sounds in my head from that time.
"Simultaneously, it's about the times me and Marc got up to in the 1980s."
The final mixes were completed only days before Ball died. It is scheduled for release in the spring of 2026.
Elena Vance is a film critic and entertainment journalist with over a decade of experience covering international cinema and industry trends.